Matters now began to move briskly. Waiter C, who rashly clutched the sleeve of Ronnie’s coat, reeled back with a hand pressed to his right eye. Waiter D, a married man, contented himself with standing on the outskirts and talking Italian. But Waiter E, made of sterner stuff, hit Ronnie rather hard with a dish containing omelette aux champignons, and it was as the latter reeled beneath this buffet that there suddenly appeared in the forefront of the battle a figure wearing a gay uniform and almost completely concealed behind a vast moustache, waxed at the ends. It was the commissionaire from the street-door; and anybody who has ever been bounced from a restaurant knows that comissionaires are heavy metal.
This one, whose name was McTeague, and who had spent many lively years in the army before retiring to take up his present duties, had a grim face made of some hard kind of wood and the muscles of a village blacksmith. A man of action rather than words, he clove his way through the press in silence. Only when he reached the centre of the maelstrom did he speak. This was when Ronnie, leaping upon a chair the better to perform the operation, hit him on the nose. On receipt of this blow, he uttered the brief monosyllable ‘Ho!’ and then, without more delay, scooped Ronnie into an embrace of steel and bore him towards the door, through which was now moving a long, large, leisurely policeman.
Fight scene, P.G. Wodehouse style, (from Summer Lightning).